Billie Holiday Commodore Master Takes Rar Files
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Return to mecca pdf. It's a splendid accompaniment to similar sets devoted to Billie Holiday's Columbia and Verve output, and while completists will bemoan the lack of the many alternate takes -- most of the Commodore sides have two alternate takes for each master recording, available elsewhere -- this is all the war-years Billie Holiday one could hope for. It's a splendid accompaniment to similar sets devoted to Billie Holiday's Columbia and Verve output, and while completists will bemoan the lack of the many alternate takes -- most of the Commodore sides have two alternate takes for each master recording, available elsewhere -- this is all the war-years Billie Holiday one could hope for.
| Billie Holiday discography | |
|---|---|
| Studio albums | 12 |
| Live albums | 3 |
| Compilation albums | 24 |
| Box sets | 5 |
The discography of Billie Holiday consists of twelve studio albums, three live albums, twenty-four compilations, and five box sets.
Holiday recorded extensively for six labels: Columbia Records (on its subsidiary labels Brunswick Records, Vocalion Records, and OKeh Records), from 1933 through 1942; Commodore Records in 1939 and 1944; Decca Records from 1944 through 1950; briefly for Aladdin Records in 1951; Verve Records and its earlier imprint Clef Records, from 1952 through 1957; again for Columbia Records from 1957 to 1958 and MGM Records in 1959. Many of Holiday's recordings were released on 78-rpm records, before the advent of long-playing vinyl records, and only Clef, Verve, and Columbia issued Holiday albums during her lifetime that were not compilations of previously released material. Many compilations have been issued since her death, including comprehensive box sets and live recordings.[1][2]
- 1Studio albums
Studio albums[edit]
Clef Records and Verve Records, 1952–1958[edit]
| Year | Album details |
|---|---|
| 1952 | Billie Holiday Sings
|
| 1953 | An Evening with Billie Holiday
|
| 1954 | Billie Holiday
|
| 1955 | Music for Torching
|
| 1956 | Recital[3][4]
|
Solitude[5][6]
| |
Velvet Mood
| |
Lady Sings the Blues
| |
| 1957 | Body and Soul
|
Songs for Distingué Lovers
| |
| 1958 | Stay with Me
|
All or Nothing at All
|
Columbia Records and MGM Records, 1958–1959[edit]
| Year | Album details |
|---|---|
| 1958 | Lady in Satin
|
| 1959 | Last Recording
|
Live albums[edit]
| Year | Album details |
|---|---|
| 1954 | Billie Holiday at JATP
|
| 1957 | Ella Fitzgerald and Billie Holiday at Newport
|
| 1961 | The Essential Billie Holiday: Carnegie Hall Concert Recorded Live
|
| 1962 | Ladylove[9][10]
|
| 1964 | A Rare Live Recording of Billie Holiday
|
| 1971 | Count Basie, At the Savoy Ballroom 1937[11]
|
Compilation albums[edit]
Most of Holiday's albums prior to 1952 were made up of material previously released as singles.
+pronounced “Plus”) is the debut album by UK singer-songwriter Ed Sheeran, released on September 9, 2011 through Warner Music UK Ltd. The first 12 tracks make up the standard issue of the. Plus ed sheeran full album.
| Year | Title | Label and number |
|---|---|---|
| 1946 | Billie Holiday (four 78-rpm records) | Commodore CR-2 |
| 1946 | Fancy Free (four 78-rpm records) | Decca DA-406 |
| 1947 | Teddy Wilson–Billie Holiday, Hot Jazz Classics (four 78-rpm records) | Columbia C-61 |
| 1947 | A Hot Jazz Classic Set, Vol. 1 (four 78-rpm records) | Columbia-135 |
| 1947 | Distinctive Song Stylings (four 78-rpm records) | Decca A-652 |
| 1949 | Teddy Wilson and His Orchestra Featuring Billie Holiday (10') | Columbia CL-6040 |
| 1950 | An Evening with Eddie Heywood and Billie Holiday (10') | Commodore FL 30001 |
| 1950 | Ella, Lena and Billie (10') | Columbia CL 2531 |
| 1950 | Billie Holiday Sings (10') | Columbia CL 6129 |
| 1950 | Billie Holiday Volume One (10') | Commodore 20005 |
| 1950 | Billie Holiday Volume Two (10') | Commodore 20006 |
| 1951 | Billie Holiday and Teddy Wilson (7') | Columbia ESDF 1038 |
| 1951 | Favorites (10') | Columbia CL 6163 |
| 1951 | Lover Man (10') | Decca DL 5345 |
| 1954 | Billie Holiday and Teddy Wilson Orchestras | Columbia 33 S 1034 |
| 1954 | Lady Day | Columbia CL 637 |
| 1954 | Billie Holiday Volume One | Jolly Roger 5020 |
| 1954 | Billie Holiday Volume Two | Jolly Roger 5021 |
| 1954 | Billie Holiday Volume Three | Jolly Roger 5022 |
| 1955 | A Collection of Classic Jazz Interpretations by Billie Holiday (10') | Columbia B-1949 |
| 1956 | A Recital by Billie Holiday | Clef MGC 686 |
| 1956 | Solitude | Clef MGC 690 / Verve V6-8074 |
| 1956 | Hall of Fame Series (7') | Columbia B-2534 |
| 1956 | Jazz Recital (partial reissue of Billie Holiday at JATP) | Verve MGC 718 |
| 1956 | The Lady Sings | Decca DL 8215 |
| 1957 (released 1999) | A Midsummer Night's Jazz at Stratford '57 | Baldwin Street 308 |
| 1957 | The Sound of Jazz (various artists) | Columbia CL 1098 |
| 1957 | The Unforgettable Lady Day | Verve V 8338-2 2 LP |
| 1958 | The Blues Are Brewin' | Decca DL 8701 |
| 1958 | Lover Man | Decca DL 8702 |
| 1958 | Billie Holiday | Commodore 30008 |
| 1958 (released 1986) | At Monterey | Blackhawk 50701 |
| 1959 | Seven Ages of Jazz | Metrojazz 1009 |
| 1970 | Billie Holiday's Greatest Hits | Columbia CL 2666 |
Box sets[edit]
| Year | Title | Label and catalogue number | Format and content |
|---|---|---|---|
| 1985 | Billie Holiday on Verve 1946–1959 | Polydor Japan 00MJ 3480/9 | 10 LPs with 134 monaural tracks, including four previously unreleased takes |
| 1992 | The Complete Billie Holiday on Verve 1945–1959 | Verve 314 513 859-2 | 10 CDs, 256 tracks |
| 2001 | Lady Day: The Complete Billie Holiday on Columbia 1933–1944 | Columbia/Legacy CXK 85470 | 10 CDs, 230 tracks |
| 2005 | The Complete Verve Studio Master Takes | Verve B0004291-02 | 6 CDs, 100 tracks, recorded 1952–1959, 24-bit digital remastering, limited edition |
| 2009 | The Complete Commodore & Decca Masters | Hip-O Select BC013146-02 | 3 CDs, 49 remastered tracks |
Singles[edit]
| Year | Single | Chart positions | ||||
|---|---|---|---|---|---|---|
| US Pop | US R&B | |||||
| 1934 | 'Riffin' the Scotch' | 6 | ||||
| 1935 | 'What a Little Moonlight Can Do' | 12 | ||||
| 'Twenty-Four Hours a Day' | 6 | |||||
| 'If You Were Mine' | 12 | |||||
| 1936 | 'You Let Me Down' | 18 | ||||
| 'These Foolish Things (Remind Me of You)' | 5 | |||||
| 'It's Like Reaching for the Moon' | 17 | |||||
| 'No Regrets' | 9 | |||||
| 'Summertime' | 12 | |||||
| 'A Fine Romance' | 9 | |||||
| 'Let's Call a Heart a Heart' | 18 | |||||
| 'The Way You Look Tonight' | 3 | |||||
| 'Who Loves You?' | 4 | |||||
| 'That's Life, I Guess' | 20 | |||||
| 'I Can't Give You Anything but Love (Dear)' | 5 | |||||
| 1937 | 'Pennies from Heaven' | 3 | ||||
| 'I've Got My Love to Keep Me Warm' | 4 | |||||
| 'Please Keep Me in Your Dreams' | 13 | |||||
| 'This Year's Kisses' | 8 | |||||
| 'Carelessly' | 1 | |||||
| 'How Could You' | 12 | |||||
| 'Moanin' Low' | 11 | |||||
| 'They Can't Take That Away from Me' | 12 | |||||
| 'Mean to Me' | 7 | |||||
| 'Easy Living' | 15 | |||||
| 'Yours & Mine' | 16 | |||||
| 'Me, Myself, and I' | 11 | |||||
| 'A Sailboat in the Moonlight' | 10 | |||||
| 'Getting Some Fun Out of Life' | 10 | |||||
| 'Trav'lin' All Alone' | 18 | |||||
| 'Nice Work If You Can Get It' | 14 | |||||
| 1938 | 'My Man' | 12 | ||||
| 'You Go to My Head' | 20 | |||||
| 'I'm Gonna Lock My Heart' | 2 | |||||
| 1939 | 'Strange Fruit' | 16 | ||||
| 1941 | 'God Bless the Child' | 25 | ||||
| 1942 | 'Trav'lin' Light' | 23 | 1 | |||
| 1945 | 'Lover Man (Oh, Where Can You Be?)' | 16 | 5 | |||
Compositions[edit]
- 1936: 'Billie's Blues' (also known as 'I Love My Man')
- 1939: 'Our Love Is Different'
- 1939: 'Long Gone Blues'
- 1939: 'Fine and Mellow'
- 1939: 'Everything Happens for the Best'
- 1940: 'Tell Me More and More and Then Some'
- 1941: 'God Bless the Child'
- 1944: 'Don't Explain'
- 1949: 'Somebody's on My Mind'
- 1949: 'Now or Never'
- 1954: 'Stormy Blues'
- 1956: 'Lady Sings the Blues'
Never recorded
- 1939: 'Lost at the Crossroads of Love'
- 1940: 'Say I'm Yours Again'
- 1949: 'Close Dem Eyes My Darlin'
- 1952: 'Please Don't Do It in Here'
- 1952: 'You'd Do It Anyway'
- 1955: 'Preacher Boy'
- 1957: 'Left Alone'
- 1957: 'Who Needs You (Baby)'
Notes[edit]
- ^Billie Holiday Long Play DiscographyArchived February 25, 2012, at the Wayback Machine. Billieholidaysongs.com. Retrieved 2010-11-13.
- ^Billie Holiday. AllMusic.com. Retrieved 2010-11-13.
- ^Discogs, 'Recital' entry https://www.discogs.com/Billie-Holiday-Recital-By-Billie-Holiday/release/4196672
- ^AllMusic, 'Recital' entry https://www.allmusic.com/album/a-recital-mw0000912340
- ^Discogs, 'Solitude' entry https://www.discogs.com/Billie-Holiday-Solitude/release/4617997
- ^AllMusic, 'Solitude' entry https://www.allmusic.com/album/solitude-verve-mw0000102964
- ^Discogs. Retrieved 2014-10-08
- ^Discogs. Retrieved 2014-10-08
- ^Record notes, Billie Holiday: Ladylove (or Lady Love), United Artists Records, UAL 8073; notes by Leonard Feather and LeRoi Jones.
- ^Billie Holiday – Ladylove, discogs.com. Accessed 29 December 2014
- ^Count Basie, At the Savoy Ballroom 1937. Discogs.com. Accessed April 6, 2016.
- ^Song artist 250 – Billie Holiday. Tsort.info. Retrieved on 2010-11-13.
References[edit]
- Millar, Jack (1994). Fine and Mellow: A Discography of Billie Holiday. London: Billie Holiday Circle. ISBN1-899161-00-7.
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The Complete Commodore & Decca Masters
Verve Music Group
2010
In 1959,
1933 - 2003
piano
Wild Bill Davidson Commodore Master Takes
Holiday's career divides neatly into three decades: the '30s, when she was the ebullient voice in mostly small swing combos; the '40s, when she was a popular torch singer and the '50s, when her increasingly ravaged voice became almost a cliché of heartache and broken dreams. Today, she's most often remembered for those last and first decades, although this collection reminds us that she was not only at the pinnacle of her popular, but also her artistic, success in the middle decade. She was at once of and above the prevailing ethos of romance and sentiment that marked the decade's popular music. Working within the prevailing strictures of the pop of the time—voice out front, ensembles in the background; lush arrangements frequently employing strings; song lyrics stressing female frailty and vulnerability—Holiday, as much as Frank Sinatra in that same decade, created a template for legato ballad singing while refining her insouciant, lilting sense of swing. All the recordings here were produced and/or supervised by Milt Gabler, who owned the Commodore label and Manhattan record store, later becoming a top A&R man at Decca.Gabler got to record Holiday on Commodore in 1939 because Columbia refused to record her 'Strange Fruit,' which, ironically, became her first real hit record. And this first record of the song about lynching, with haunting muted trumpet (
b.1906
On the Decca recordings (late 1944-early 1950), we hear Holiday perfecting the art of seamless narrative phrasing and musical panache on ballads, but also hints of the deterioration of her voice (from booze, drugs and cigarettes) that make her sound so scarily vulnerable on her later '50s recordings of some of the same songs. But on these recordings the artistry is still a beacon illuminating the pity and pathos in such songs as 'Lover Man,' 'Don't Explain,' 'Good Morning Heartache,' 'No Good Man' and the strangely exhilarating version of the gloom and doom 'Deep Song,' a lesser-known rarity worth seeking out.
While the ballads are the gems of the Decca years, Holiday also affectionately and convincingly revisited blues from Bessie Smith's book and did two sparkling duets with
1901 - 1971
trumpet
Track Listing: CD1: Strange Fruit; Yesterdays; Fine and Mellow; I Gotta Right to Sing the Blues; How Am I to Know; My Old Flame; I'll Get By; I Cover the Waterfront; I'll Be Seeing You; I'm Yours; Embraceable You; As Time Goes By; He's Funny That Way; Lover Come Back to Me; Billie's Blues; On the Sunny Side of the Street. CD2: Lover Man; No More; That Old Devil Called Love; Don't Explain; You Better Go Now; What Is This Thing Called Love; Good Morning Heartache; No Good Man; Big Stuff; Baby, I Don't Cry Over You; I'll Look Around; The Blues Are Brewin,' Guilty; Deep Song; There Is No Greater Love; Easy Living; Solitude; Weep No More; Girls Were Made to Take Care of Boys. CD3: I Loves You Porgy; My Man; Tain't Nobody's Business If I Do; Baby Get Lost; Keeps On A-Rainin'; Them There Eyes; Do Your Duty; Gimme A Pigfoot (And a Bottle of Beer; You Can't Lose A Broken Heart; My Sweet Hunk O'Trash; Now or Never; You're My Thrill; Crazy He Calls Me; Please Tell Me Now; Somebody's On My Mind; God Bless the Child; This Is Heaven to Me.
Personnel: Billie Holiday: vocals; Buck Clayton: trumpet; Tiny Grimes: guitar; Bobby Hackett: trumpet; Eddie Heywood: piano, arranger; Budd Johnson: tenor sax; Mundell Lowe: guitar; Specs Powell: drums; Tab Smith: alto sax; Lester Young: tenor sax; Eddie Barefield: clarinet and baritone sax; Billy Butterfield: trumpet; Cozy Cole: drums; Bob Haggart: bass, arranger; Horace Henderson: piano; Al Klink: alto sax; Carl Kress: guitar; Bernie Leighton: piano; Johnny Mince:alto sax; Sy Oliver: arranger; Frankie Newton: trumpet; George Wettling: drums; Bob Bain: guitar; Stan Webb: baritone sax; George Duvivier: bass; Louis Armstrong: vocals; Everett Barksdale: guitar; Tom Barney, Joe Benjamin: bass; Emmett Berry: trumpet; Denzil Best: drums; Larry Binyon: tenor sax; Wallace Bishop: drums; Johnny Blowers: Toots Camarata: guitar; Toots Camarata; arranger; Russ Case: trumpet; Big Sid Catlett: drums; Henderson Chambers: trombone; Doc Cheatham: trumpet; Kenny Clarke: drums; Shad Collins: trumpet; Sid Cooper: alto sax; Jimmy Crawford: drums; Lem Davis: alto sax; Vic Dickenson: trombone; Bob Dorsey: tenor sax; George Dorsey: alto sax; Eddie Dougherty: Nick Fatool: drums; Joe Guy: trumpet; Billy Kyle: piano; Jack Lesberg: bass; Kelly Martin: drums; George Matthews: trombone; Toots Mondello: alto sax; Sol Moore: baritone sax; Tony Mottola: guitar; Jimmy Nottingham: trumpet; Rudy Powell: alto sax; Bernie Privin: trumpet; Hymie Schertzer: alto sax; Jimmy Shirley: guitar; Bill Stegmeyer: clarinet, alto sax; Bobby Tucker: piano; Dick Vance: trumpet; Teddy Walters: guitar; Dicky Wells: trombone; Sonny White: piano; John Williams: bass; Shadow Wilson: drums; Milt Yaner: clarinet, alto sax; Paul Ricci, Kenneth Hollon: tenor sax; Sammy Benskin: piano; Tony Faso: trumpet; John Fulton: clarinet, flute: tenor sax; Bernard Kaufman: tenor sax; Charlie LaVere: piano; Joe Springer: piano; George Stevenson: trombone; Gordon Jenkins & His Orchestra (Strings); Billy Taylor: Jr.: bass; Daniel Perry: guitar; Rostelle Reese: trumpet; Armand Camgros: tenor sax; Jimmy McLin: guitar; Haig Stephens: bass; Stanley Payne: tenor sax; Jack Cressey: alto sax; Dick 'Dent' Eckles: flute, tenor sax; Pat Nizza: tenor sax; Art Drellinger, Freddie Williams: tenor sax; Gordon Griffith: trumpet; John Simmons: bass, director; string sections; Gordon Jenkins Singers: background vocals.
Title: Billie Holiday: The Complete Commodore & Decca Masters Year Released: 2010 Record Label: Verve Music Group