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In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch.^[1] Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ³
₄), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the ³
₄ example).

The word bar is more common in British English, and the word measure is more common in American English, although musicians generally understand both usages. In American English, although the words bar and measure are often used interchangeably, the correct use of the word 'bar' refers only to the vertical line itself, while the word 'measure' refers to the beats contained between bars.^[2] In international usage, it is equally correct to speak of bar numbers and measure numbers, e.g. ‘bars 9–16’ or ‘mm. 9–16’. Along the same lines, it is wise^{[citation needed]} to reserve the abbreviated form ‘bb. 3–4’ etc. for beats only; bars should be referred to by name in full.

The first metrically complete bar within a piece of music is called ‘bar 1’ or ‘m. 1’. When the piece begins with an anacrusis (an incomplete bar at the head of a piece of music), ‘bar 1’ or ‘m. 1’ is the following bar.

Bar[edit]

Originally, the word bar came from the vertical lines drawn through the staff to mark off metrical units and not the bar-like (i.e., rectangular) dimensions of a typical measure of music. In British English, these vertical lines are called bar, too, but often the term bar line is used in order to make the distinction clear. A double bar line (or double bar) can consist of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that double bar refers not to a type of bar (i.e., measure), but to a type of bar line. Another term for the bar line denoting the end of a piece of music is music end.^[3]

A repeat sign (or, repeat bar line^[4]) looks like the music end, but it has two dots, one above the other, indicating that the section of music that is before is to be repeated. The beginning of the repeated passage can be marked by a begin-repeat sign; if this is absent the repeat is understood to be from the beginning of the piece or movement. This begin-repeat sign, if appearing at the beginning of a staff, does not act as a bar line because no bar is before it; its only function is to indicate the beginning of the passage to be repeated.

In music with a regular meter, bars function to indicate a periodic accent in the music, regardless of its duration. In music employing mixed meters, bar lines are instead used to indicate the beginning of rhythmic note groups, but this is subject to wide variation: some composers use dashed bar lines, others (including Hugo Distler) have placed bar lines at different places in the different parts to indicate varied groupings from part to part.

Igor Stravinsky said of bar lines:

The bar line is much, much more than a mere accent, and I don't believe that it can be simulated by an accent, at least not in my music.^[5]

Bars and bar lines also indicate grouping: rhythmically of beats within and between bars, within and between phrases, and on higher levels such as meter.

History[edit]

The earliest barlines, used in keyboard and vihuela music in the 15th and 16th centuries, didn't reflect a regular meter at all but were only section divisions, or in some cases marked off every beat.

Barlines began to be introduced into ensemble music in the late 16th century but continued to be used irregularly for a time. Not until the mid-17th century were barlines used in the modern style with every measure being the same length, and they began to be associated with time signatures.^[6]

Modern editions of early music that was originally notated without barlines sometimes use a mensurstrich as a compromise.

Hypermeasure[edit]

A hypermeasure, large-scale or high-level measure, or measure-group is a metric unit in which, generally, each regular measure is one beat (actually hyperbeat) of a larger meter. Thus a beat is to a measure as a measure/hyperbeat is to a hypermeasure. Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of hypermeter. The term was coined by Edward T. Cone in Musical Form and Musical Performance (New York: Norton, 1968),^[7]Download software tes iq bahasa indonesia gratis. and is similar to the less formal notion of a phrase.

See also[edit]

References[edit]

1. ^ChordWizard Software. 'www.howmusicworks.org'. Archived from the original on 9 July 2012. Retrieved 11 September 2012.
2. ^Read, Gardner. (1979) Music Notation: A Manual of Modern Practice, 2nd ed., New York: Taplinger Publishing Company, p.183.
3. ^'Archived copy'. Archived from the original on 2007-02-08. Retrieved 2007-01-07.CS1 maint: Archived copy as title (link) − Chart of Musical Symbols
4. ^Nickol, Peter (2008). Learning to Read Music, p.105. ISBN1-84528-278-7.
5. ^Winold, Allen (1975). 'Rhythm in Twentieth-Century Music', Aspects of Twentieth-Century Music. Wittlich, Gary (ed.). Englewood Cliffs, New Jersey: Prentice–Hall. ISBN0-13-049346-5.
6. ^Harvard Dictionary of Music, Second ed. (1972), 'Barline'
7. ^Stein, Deborah (2005). Engaging Music: Essays in Music Analysis, p.18-19 and 'Glossary', p.329. New York: Oxford University Press. ISBN0-19-517010-5.

Further reading[edit]

• Cone, Edward T. (1968). Musical Form and Musical Performance. ISBN0-393-09767-6.

'Bar Bar Bar' (Korean: 빠빠빠; RR: Ppa Ppa Ppa) is the second single album, and fourth single overall by Crayon Pop. It was released digitally on June 20, 2013 by Chrome Entertainment and distributed by CJ E&M Music. 'Bar Bar Bar' became a viral hit in late July, eventually reaching number one on Billboard's K-Pop Hot 100 chart and number three on the Gaon Digital Chart.^[1]

• 6Charts

Release and promotion[edit]

Hasrte Bar Bar Song Download Wikipedia

On June 8, Crayon Pop performed 'Bar Bar Bar' for the first time at the Migliore Festival.^[2] The single album was released digitally on June 20 and a choreography music video was released three days later. Following this release, Crayon Pop's unique outfits and choreography drew interest and their popularity rose. The group wore helmets and colorful tracksuits, and the dance featured choreographed jumping, dubbed the 'Straight-Five Engine Dance' by fans because it resembled the movement of engine cylinders.^[3] The song and dance were often called addictive, with easy-to-follow choreography and simple, repetitive lyrics. Member Way said, 'Overall, the lyrics mean let's jump together. It's meant to give a source of energy and strength to the tired people. It just means let's all dance together and have fun.'^[4]

Their first music show performance was on MBC's Music Core on June 22. The song was promoted on music shows through July and August, with the last performance being on KBSMusic Bank on September 6. Crayon Pop was often in contention for first place during the month of August. They lost numerous times to Exo's 'Growl' before 'Bar Bar Bar' won first place on Music Bank on August 30.^[5]

Music videos[edit]

The 'Bar Bar Bar' story version music video was released on June 13, a week before the song's digital release. On June 23, the choreography version was released. This music video was filmed in Yongma Land, an abandoned amusement park in Jungnang-gu,^[6][7] with a budget of only 380,000 won (US$338).^[8] As of May 2016, the choreography music video has more than 33 million views on YouTube.^[9]

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I Love This Bar Song Lyrics

On September 9, a 'Global Version' music video was released. It was aimed at an international audience and was filmed in popular locations in Seoul including Noksapyeong Station, Garosu Street, Ttukseom Hangang Park and Children's Grand Park. 'Bar Bar Bar' has been compared to Psy's 'Gangnam Style' and this music video contains several references to Psy's song.^[3][10] The audio was slightly remixed; this remix was later released as 'Bar Bar Bar 2.0' on the mini album, The Streets Go Disco.

Reception and accolades[edit]

'Bar Bar Bar' entered the Gaon Digital Chart at number 143 in the first week of its release.^[11] As 'Bar Bar Bar' went viral, it gradually rose in the charts. In its seventh week, the song peaked at number three on the Gaon Digital Chart, and spent a total of 31 consecutive weeks on the chart.^[12] It reached number one on Billboard's K-Pop Hot 100 eight weeks after release,^[1] and was number nine on the year-end chart.^[13] Music industry officials commented that the song's chart trajectory was rare, because normally a song reaches peak position soon after release before being pushed down as time passes.^[14][15]

YG Entertainment's CEO Yang Hyun-suk praised Crayon Pop for having the best hit song of the first half of 2013. He said, 'Other than 'Gentleman', the biggest hit was 'Bar Bar Bar'. Even my kid knows about Crayon Pop. People aren't interested about which song is at number one these days. What's important is whether people know about a singer and if they have fans. Crayon Pop succeeded in that sense'.^[16][17] Jeff Benjamin of Billboard credited the song's success to its 'quirky video, fun dance and catchy hook'.^[13]

Taylor Glasby of Dazed ranked the song ninth on the publication's 'Top ten K-Pop of 2013'. He described the group as 'simultaneously creepy and adorable' and the song as 'cheekily adventurous' with an 'earworm chorus' and 'iconic' dance.^[18] He also said the song is 'smarter than it first appears', with layered 1980s brass and 1970s disco beats.^[19] Scott Interrante, writing for PopMatters, discussed 'Bar Bar Bar' in his overview of K-pop in 2013: 'The song and video are bratty, obnoxious, and totally awesome. Its hallyu style is so extreme it can convincingly be taken as satire. But one thing that’s certain is that it's going to get stuck in your head and annoy you probably forever.'^[20]

'Bar Bar Bar' won Crayon Pop a New Rising Star award at the 28th Golden Disk Awards.^[21] It also received nominations for the Music Video Award at the MelOn Music Awards, Song of the Year and Best Dance & Electronic Song at the Korean Music Awards, and Song of the Year and Best Dance Performance - Female Group at the Mnet Asian Music Awards.^[22][23]

In popular culture[edit]

Many groups covered the dance or made parody videos, including M.I.B., MBLAQ, Perfume, Justice Crew and the Gyungbuk women's police department.^[24][15] On August 13, 2013, 'Bar Bar Bar' was parodied on SNL Korea by guest Kim Gura and the SNL cast.^[25] On October 19, the song was again featured on SNL Korea, this time danced by actor Tom Hiddleston.^[26]

On February 20, 2014, a dance cover by Taiwanese twin six-year-olds, Zony and Yony, was uploaded to YouTube. This video also went viral and has more than 5 million views as of October 2014. As a result of this video, the twins were invited on The Ellen DeGeneres Show, where they performed the 'Bar Bar Bar' dance.^[27]

On August 17, 2014, 'Bar Bar Bar' was included in the soundtrack of the tvN historical drama, The Three Musketeers. The song was arranged in the style of traditional Korean music.^[28] On October 21, 'Bar Bar Bar' was featured in the fourth episode of American TV series Selfie, with actors Karen Gillan and John Cho dancing to the song.^[29]

Track listing[edit]

Charts[edit]

Bar Song Lyrics

Release history[edit]

Haste Bar Bar Song Download Wikipedia

Rehab Bartender Song

References[edit]

1. ^ ^abBenjamin, Jeff (August 15, 2013). 'Crayon Pop Ride Viral Wave to number 1 on K-Pop Hot 100'. Billboard.com. Retrieved September 14, 2014.
2. ^Jeon Su Mi (18 March 2015). 'Crayon Pop to Hold Street Showcase for ′FM′ on 3/21'. enewsWorld. Retrieved 24 March 2015.
3. ^ ^abBenjamin, Jeff (August 13, 2013). 'Based around a ridiculous dance -- currently sweeping South Korea -- the K-pop girl group may have crafted their very own 'Gangnam Style'-like smash'. Billboard.com. Retrieved September 19, 2014.
4. ^Cho, Joohee (August 28, 2013). 'Crayon Pop Hoping to Become the Next Psy'. ABC News. Retrieved November 30, 2014.
5. ^Park Jin-hai (9 September 2013). 'Sugar Pop group crawling back to fame'. The Korea Times. Retrieved 28 December 2014.
6. ^Baek Jong-hyun; Yang Bo-ra (December 20, 2014). 'It's the most wonderful time for a creative date'. Korea JoongAng Daily. Retrieved December 22, 2014.
7. ^Dunbar, Jon (December 26, 2013). 'The empty rides of Yongma Land'. The Korea Blog. Archived from the original on October 16, 2014. Retrieved September 19, 2014.
8. ^Moon Wan-sik (2 August 2013). 크레용팝 헬멧의 비밀.'매일 밤 전기테이프··' [Secrets of Crayon Pop's helmet: 'Electrical tape every night']. The Star (Money Today) (in Korean). Retrieved 10 February 2015.
9. ^'[Crayon Pop] 크레용팝 빠빠빠(Bar Bar Bar) - M/V (안무버젼)'. Retrieved September 14, 2014.
10. ^'Crayon Pop plans to go global with 'Bar Bar Bar 2.0' music video'. KBS News. September 6, 2013. Retrieved September 20, 2014.
11. ^'Gaon Digital Chart - 2013년 6월 5주차차'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on April 13, 2014. Retrieved March 5, 2015.
12. ^'Gaon Digital Chart - 2014년 1월 4주차'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on February 2, 2014. Retrieved March 5, 2015.
13. ^ ^abcBenjamin, Jeff (December 13, 2013). 'The Year In K-Pop 2013: Sistar19, Cho Yong Pil, Lee Seung Chul Triumph'. Billboard.com. Retrieved October 19, 2014.
14. ^Lee Sun-min (24 July 2013). 'Crayon Pop's mysterious rise'. Korea JoongAng Daily. Retrieved 5 March 2015.
15. ^ ^ab'Sing me a new song: What comes after K-pop?'. The Economist. October 26, 2013. Retrieved September 19, 2014.
16. ^'YG CEO Says Huge World Stars Participate in PSY's New Album'. KBS News. 2 September 2013. Retrieved 27 February 2015.
17. ^Park Hyeon-min (2 September 2013). YG 양현석 대표 '크레용팝에 박수 보낸다' [YG Yang Hyun Suk CEO 'I give a round of applause to Crayon Pop']. OSEN (in Korean). Naver News. Retrieved 18 November 2014.
18. ^Glasby, Taylor (December 2013). 'Top ten K-Pop of 2013'. Dazed. Retrieved 22 March 2015.
19. ^Glasby, Taylor (22 May 2014). 'Crayon Pop: Lady Gaga's K-pop secret weapon'. Dazed. Retrieved 2016-05-15.
20. ^Interrante, Scott (20 December 2013). 'K-pop's Generation'. PopMatters. Retrieved 2016-05-15.
21. ^Hong, Grace Danbi (17 January 2014). 'Psy and EXO Crowned as Daesang Winners at Golden Disk Awards'. CJ E&M enewsWorld. Retrieved 28 December 2014.
22. ^Hicap, Jonathan M. '2013 Melon Music Awards nominees revealed'. Manila Bulletin. News Philippines. Retrieved 11 September 2014.
23. ^'MAMA Vote 2013'. Mwave. Mnet. Retrieved 11 September 2014.
24. ^'M.I.B parodies Crayon Pop's 'Bar Bar Bar' in a remix video'. allkpop. September 6, 2013. Retrieved September 19, 2014.
    'MBLAQ dress up in skirts & helmets while performing Crayon Pop's 'Bar Bar Bar''. allkpop. August 15, 2013. Retrieved September 19, 2014.
    Smith, Corynn (20 November 2014). 'Perfume's Sweet Techno Beats Move NYC on 3rd World Tour'. MTV Iggy. Retrieved 5 March 2015.
    'Justice Crew parody Crayon Pop's Bar Bar Bar'. SBS PopAsia. October 31, 2013. Retrieved September 19, 2014.
25. ^Jackson, Julie (28 October 2013). 'Crayon Pop to hold first solo concert for free'. The Korea Herald. Retrieved 28 December 2014.
26. ^Lee Yousun (21 October 2013). 'Tom Hiddleston performs 'Bar Bar Bar' dance on SNL Korea'. Asia Today. Retrieved 6 March 2015.
27. ^Benjamin, Jeff (May 8, 2014). 'Taiwan's Zony & Yony performed the kooky choreography to Crayon Pop's 'Bar Bar Bar''. Billboard.com. Retrieved September 19, 2014.
28. ^Lee So-dam (August 17, 2014). ‘삼총사’ 퓨전사극 새 장 여나, 크레용팝 ‘빠빠빠’ 국악버전까지. Newsen (in Korean). Retrieved September 22, 2014.
29. ^Benjamin, Jeff (October 22, 2014). 'Watch Crayon Pop's K-Pop Hit 'Bar Bar Bar' Get the ABC Sitcom 'Selfie' Dancing'. Billboard.com. Retrieved October 25, 2014.
30. ^'Billboard K-Pop Hot 100 - Week of August 24, 2013'. Billboard. Archived from the original on March 1, 2015. Retrieved March 1, 2015.
31. ^'Gaon Digital Chart - 2013년 8월 2주차'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on April 13, 2014. Retrieved March 1, 2015.
32. ^'2013년 29주차 Album Chart'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on October 17, 2014. Retrieved September 14, 2014.
33. ^'The ARIA Report - Issue 1238'(PDF). ARIA. ARIA Charts. Retrieved September 15, 2014.
34. ^'2013년 08월 Digital Chart'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on March 1, 2015. Retrieved March 1, 2015.
35. ^'2013년 07월 Album Chart'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on November 13, 2014. Retrieved September 14, 2014.
36. ^'2013년 Digital Chart'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on March 1, 2015. Retrieved March 1, 2015.
37. ^'Gaon Album Chart – August 2013'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on January 20, 2015. Retrieved February 2, 2015.
38. ^'Gaon Download Chart – 2013 Year End'. Gaon Chart (in Korean). Korea Music Content Industry Association. Archived from the original on October 19, 2014. Retrieved February 2, 2015.

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External links[edit]