Melody 1971 Dvd Cover
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- Melody Fair 1971 Full Movie
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Review by Stephen Thomas Erlewine
About AllCDCovers. AllCDCovers is a community driven website offering free high quality album art for non commercial use. All the CD and DVD covers are uploaded, approved and ranked by our users. New listing deep purple melody maker magazine october 9 1971 ian gillan cover uk.
Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, ramshackle ambience that belies both its origins and the dark undercurrents of the songs. It's a weary, drug-laden album -- well over half the songs explicitly mention drug use, while the others merely allude to it -- that never fades away, but it barely keeps afloat. Apart from the classic opener, 'Brown Sugar' (a gleeful tune about slavery, interracial sex, and lost virginity, not necessarily in that order), the long workout 'Can't You Hear Me Knocking' and the mean-spirited 'Bitch,' Sticky Fingers is a slow, bluesy affair, with a few country touches thrown in for good measure. The laid-back tone of the album gives ample room for new lead guitarist Mick Taylor to stretch out, particularly on the extended coda of 'Can't You Hear Me Knocking.' But the key to the album isn't the instrumental interplay -- although that is terrific -- it's the utter weariness of the songs. 'Wild Horses' is their first non-ironic stab at a country song, and it is a beautiful, heart-tugging masterpiece. Similarly, 'I Got the Blues' is a ravished, late-night classic that ranks among their very best blues. 'Sister Morphine' is a horrifying overdose tale, and 'Moonlight Mile,' with Paul Buckmaster's grandiose strings, is a perfect closure: sad, yearning, drug-addled, and beautiful. With its offhand mixture of decadence, roots music, and outright malevolence, Sticky Fingers set the tone for the rest of the decade for the Stones.
[The Rolling Stones cobbled together Sticky Fingers from a variety of sources, snatching some Let It Bleed outtakes to pair with recordings made down in Muscle Shoals, Alabama along with tracks laid down in their homebase of Olympic Studios in London. Whatever songs the Stones didn't get around to finishing for Sticky Fingers, they carried over to Exile On Main St, either in its initial 1971 release or the 2010 deluxe reissue, which means there weren't any incomplete songs left for the 2015 Deluxe Reissue of Sticky Fingers. There were, however, a few pretty different alternate takes of the album's songs, all of which surface here: a wild, careening version of 'Brown Sugar' featuring Eric Clapton on slide guitar-a faster, interesting take that's not as dirty and funky as the original; an 'acoustic' version of 'Wild Horses' that notably lacks the lead guitar lines; a 'Can't You Hear Me Knocking,' which is essentially a demo version where Mick hasn't figured out the words and the band doesn't launch into the Latin jam at the end; an 'extended version' of 'Bitch,' where Mick again doesn't have words ready, although he has the melody in place; finally, a rougher, rowdier 'Dead Flowers.' The heavily-bootlegged 'Brown Sugar' is welcome-it's not as good as the officially released version but the differences are compelling-and it's especially great to hear Jagger work out the kinks on 'Can't You Hear Me Knocking' and 'Bitch,' particularly because such messiness has not surfaced on previous Stones deluxe editions. Still, the real selling point to both the Deluxe Edition and especially the Super Deluxe Editions are the live material. The second disc is rounded out with five selections from the Roundhouse in 1971, killers every one, but they're eclipsed by the first official release of Get Yer Leeds Lungs Out on the third disc of the Super Deluxe Editions. Long regarded as one of the finest Stones bootlegs, this performance doesn't disappoint. It's leaner, harder and groovier than Get Yer Ya-Ya's out, particularly in the final six song stretch that runs from 'Honky Tonk Women' to a show-closing cover of Chuck Berry's 'Let It Rock.' The Stones keep gaining momentum as they move from 'Satisfaction' to 'Little Queenie' to 'Brown Sugar' to 'Street Fighting Man,' each swinging with serious abandon, the band yet to treat any of the songs like hallowed classics. If you ever needed proof that the Stones were the World's Greatest Rock & Roll Band, this it and it's worth ponying up the extra cash just to get this concert.]
Title/Composer | Performer | Time | Stream |
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1 | 03:49 | ||
2 | Mick Jagger / Keith Richards | 03:53 | |
3 | 05:44 | ||
4 | Mick Jagger / Keith Richards | 07:15 | |
5 | 02:33 | ||
6 | Mick Jagger / Keith Richards | 03:37 | |
7 | 03:54 | ||
8 | Marianne Faithfull / Mick Jagger / Keith Richards | 05:34 | |
9 | 04:05 | ||
10 | Mick Jagger / Keith Richards | 05:57 |
Melody 1971 Dvd Cover
Title/Composer | Performer | Time | Stream |
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1 | 04:07 | ||
2 | Mick Jagger / Keith Richards | 05:47 | |
3 | 03:24 | ||
4 | Mick Jagger / Keith Richards | 05:52 | |
5 | 04:17 | ||
6 | Mick Jagger / Keith Richards | 04:22 | |
7 | 03:48 | ||
8 | Mick Jagger / Keith Richards | 06:41 | |
9 | 11:26 | ||
10 | Mick Jagger / Keith Richards | 04:14 |
Title/Composer | Performer | Time | Stream |
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1 | 03:59 | ||
2 | Mick Jagger / Keith Richards | 04:21 | |
3 | 04:02 | ||
4 | Mick Jagger / Keith Richards | 04:14 | |
5 | 06:28 | ||
6 | Mick Jagger / Keith Richards | 13:09 | |
7 | 05:24 | ||
8 | Mick Jagger / Keith Richards | 03:20 | |
9 | 05:31 | ||
10 | 04:26 | ||
11 | 04:44 | ||
12 | Mick Jagger / Keith Richards | 04:52 | |
13 | 03:13 |
Title/Composer | Performer | Time | Stream |
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1 | |||
2 | Mick Jagger / Keith Richards |
Title/Composer | Performer | Time | Stream |
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1 | |||
2 | Mick Jagger / Keith Richards |
Histoire de Hélène | ||||
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Studio album by | ||||
Released | 24 March 1971 | |||
Recorded | 21 April 1970 – 4 February 1971 | |||
Studio | Studio Marble Arch, London, England; Studio des Dames, Paris, France | |||
Genre |
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Length | 27:57 | |||
Label | Philips | |||
Producer | Jean-Claude Desmarty | |||
Serge Gainsbourg chronology | ||||
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Histoire de Melody Nelson is a 1971 concept album by French songwriter Serge Gainsbourg. Produced by Jean-Claude Desmarty, the album was released on March 24, 1971 through Philips Records. The Lolita-esque pseudo-autobiographical plot of the album involves the middle-aged Gainsbourg unintentionally colliding his Rolls-Royce Silver Ghost into teenage girl Melody Nelson's bicycle, and the subsequent seduction and romance that ensues. Histoire de Melody Nelson is considered by many critics and fans to be Gainsbourg's most influential and accomplished work, as well as one of the greatest French-language albums in popular music.[3]
- 3Critical reception
- 4Legacy
Concept[edit]
At just under twenty-eight minutes, the short running time and the stylistic consistency and similarity throughout the album give it qualities more in line with an EP or an extended musical piece with a number of movements. Histoire de Melody Nelson‘s mix of freewheeling guitar, funk style bass guitar, near spoken word vocal delivery, and lush, deep orchestratedstring and choral arrangements by Jean-Claude Vannier[4] who composed almost the entire music in collaboration with Gainsbourg for the album, have proven to be highly influential amongst later francophone and anglophone musical performers.
Release[edit]
After the release of the album, a music video was made for each song and released all together as 'Melody', a short musical.
On October 18, 2011 Mercury Records through Universal Music released the album with a second CD containing alternate takes of all seven tracks as well as instrumental and vocal versions of the excised track 'Melody Lit Babar.' A limited edition was also released that included a DVD which featured the original album remixed in Dolby Digital 5.1 Surround Sound and a forty-minute documentary on the making of the album which includes interviews with Jane Birkin, Jean-Claude Vannier, and others. This release also includes a full-color booklet of liner notes in both French and English.
Melody Fair 1971 Full Movie
Critical reception[edit]
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
Metacritic | 96/100[5] |
Review scores | |
Source | Rating |
AllMusic | [6] |
The A.V. Club | A[7] |
Pitchfork | 10/10[1] |
PopMatters | 10/10[8] |
Upon its release in 1971, Histoire de Melody Nelson received critical acclaim and praise. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 96, which indicates 'universal acclaim', based on 9 reviews.[5] Jason Ankeny of AllMusic described the album as 'arguably his [Gainsbourg's] most coherent and perfectly realized studio album' and stated: 'It's by turns fascinating and repellent, hilarious and grim, but never dull -- which, in Gainsbourg's world, would be the ultimate (and quite possibly the only) sin.'[6] Keith Phipps of The A.V. Club wrote: 'It’s a true album—its tale of innocence lost and unearned last chances wouldn’t work as well in any other medium.'[7] Tom Ewing of Pitchfork stated: 'The bookend tracks of Melody Nelson are a trip through far more hostile territories, the black spaces of a man's interior.' He also praised the 'originality' of the record, describing its sound as similar to 'nothing else in rock.'[1] D.M. Edwards of PopMatters commented: 'This is genre-defying music, but anyone with an interest in hearing a blueprint for trip hop or a master class in the depiction of desire in pop music, should be sure to listen to this mysterious, timeless, contradictory album.'[8]
Accolades[edit]
Publication | Country | Accolade | Year | Rank |
---|---|---|---|---|
Pitchfork[9] | US | Top 100 Albums of the 1970s | 2004 | 21 |
Rolling Stone France[3] | France | The 100 Greatest French Rock Albums | 2010 | 4 |
Legacy[edit]
Histoire de Melody Nelson is regarded by many critics and fans to be Gainsbourg's magnum opus and his most influential release. While it became a pivotal album of the 1970s and was instrumental in the development of French rock music and trip hop genre, it has also influenced many musical artists outside France, including Jarvis Cocker of Pulp, Beck, Tricky, Broadcast, Barry Adamson of Magazine, David Holmes, Cibo Matto, Neil Hannon of The Divine Comedy, Stereolab, Michael Stipe of R.E.M., Portishead, The Last Shadow Puppets and Arctic Monkeys.[7][1][10][11] Portishead based its musical style on the album's mixture of orchestrations with dusty drums, while Beck utilized the album's main theme heavily on his song 'Paper Tiger', on his 2002 album, Sea Change.[11] French electronic music act Air was also influenced by the album.[1][11][12]Faith No More and Mr. Bungle vocalist Mike Patton also expressed his appreciation for the album and Gainsbourg's music, stating that 'he was immediately awe-struck by the elegance, variety and detail of Serge's 'pop' forms'. 'It made me think that I had a lot to learn'.[11]
The songs on Histoire de Melody Nelson were covered and sampled by various artists of different genres. British rock band Placebo recorded a cover version of 'The Ballad of Melody Nelson', which was released on a compilation of cover versions with their Sleeping with Ghosts album.[13] Portishead also covered the song in French, collaborating with Jane Birkin.[14]Mick Harvey of Nick Cave and the Bad Seeds also released a total of four Gainsbourg tribute albums, two in the 1990s, Intoxicated Man (1995) and Pink Elephants (1997), and two more nearly 20 years later, Delirium Tremens (2016) and Intoxicated Women (2017). He also joined the stage with frequent collaborator PJ Harvey in 1996 for performances of two Gainsbourg songs, Bonnie and Clyde and Harley Davidson[15]. Michael Stipe covered 'L'hôtel particulier' under the name 'L'Hotel' on a 2006 Gainsbourg tribute album Monsieur Gainsbourg Revisited.[16]Hip hop act De La Soul sampled 'Ah! Melody' on their song, 'Held Down' from AOI: Bionix (2001); and Portishead's remix of Massive Attack's 1995 song 'Karmacoma' sampled the bassline of 'Melody'.[10]Mirwais, a French producer who is known for his work for Madonna, sampled 'Cargo Culte' on his album Production (2000).[12]David Holmes used a sample of 'Melody' on his track 'Don't Die Just Yet', from his 1997 album Let's Get Killed (1997).[10] Brazilian musician Rogério Skylab covered 'Ah! Melody' for his 2009 album Skygirls.
The album was also referenced in non-musical fields. 'Melody' is the default author name and 'Nelson' is the default password in Six Apart's Movable Typeweblog software, which had the working title of 'Serge', after Gainsbourg. An open sourcefork of Movable Type carries the character's first name.[17]
Tributes[edit]
Jean-Claude Vannier performed the album live at London's Barbican on October 21, 2006 with guest vocalists Jarvis Cocker, Badly Drawn Boy, Brigitte Fontaine, The Bad Seeds’ Mick Harvey and the lead singer from Super Furry Animals, Gruff Rhys. Vannier performed the album in its entirety alongside his own solo album L'Enfant assassin des mouches. Publicity for the Barbican concert revealed that the musicians used for the album were Dougie Wright, Big Jim Sullivan, Herbie Flowers and Vic Flick who all joined Vannier for the concert. The BBC Concert Orchestra, the Crouch End Festival Chorus and a children’s string quintet were also part of the show.
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On 22 and 23 October 2008, Jean-Claude Vannier performed the album live at the Cité de la Musique with guest vocalists Mathieu Amalric, Brigitte Fontaine, Brian Molko, Martina Topley-Bird, Daniel Darc, Clotilde Hesme, and Seaming To. Also performing were Herbie Flowers (bass), Claude Engel (guitar) and Pierre-Alain Dahan (drums).[18] Vannier also performed his album L'Enfant Assassin Des Mouches. The Lamoureux Orchestra, the Yound Choir of Paris and a children's string quintet were also part of the show.
On 28 August 2011, Vannier participated in A Tribute to Serge Gainsbourg at the Hollywood Bowl in Hollywood, California. The artists that performed Gainsbourg's songs that evening included Beck, Sean Lennon and Charlotte Kemp Muhl, Mike Patton, Zola Jesus, Victoria Legrand (singer of indie band Beach House), Ed Droste (singer of indie band Grizzly Bear) and Serge's son Lulu Gainsbourg. The second half of the evening included a performance of the album with Vannier conducting. Each of the album's songs were performed by different combinations of the evening's artists, backed by the Hollywood Bowl Orchestra and the Cal State Fullerton chorale. American actor Joseph Gordon-Levitt also participated in the album's performance.
Track listing[edit]
All tracks written by Serge Gainsbourg, except where noted.
No. | Title | Length |
---|---|---|
1. | 'Melody' | 7:32 |
2. | 'Ballade de Melody Nelson' (Serge Gainsbourg, Jean-Claude Vannier) | 2:00 |
3. | 'Valse de Melody' | 1:31 |
4. | 'Ah ! Melody' (Serge Gainsbourg, Jean-Claude Vannier) | 1:47 |
5. | 'L'hôtel particulier' | 4:05 |
6. | 'En Melody' (Serge Gainsbourg, Jean-Claude Vannier) | 3:25 |
7. | 'Cargo culte' | 7:37 |
Melody 1971 Dvd Cover Youtube
Personnel[edit]
Album personnel:[19][20]
- Serge Gainsbourg – vocals, piano, guitar
- Alan Parker – guitar
- Big Jim Sullivan – rhythm guitar
- Dave Richmond – bass guitar
- Roger Coulam – keyboards
- Jean-Claude Vannier – arrangement, orchestra direction
- Jane Birkin – vocals
- Dougie Wright – drums
- Jean-Luc Ponty – electric violin (on 'En Melody')
- Jean-Claude Charvier – recording
- Jean-Claude Desmarty – production
Charts[edit]
Chart | Peak position |
---|---|
French Albums (SNEP)[21] | 56 |
References[edit]
- ^ abcdeEwing, Tom (29 March 2009). 'Serge Gainsbourg - Histoire de Melody Nelson'. Pitchfork. Retrieved 6 May 2014.
- ^Hultkrans, Andrew (May 2009). 'Reissues'. Spin (Vol. 25, No. 5). Retrieved 20 March 2017.
- ^ abMagazine Rolling Stone, n°18 of February 2010, ISSN1764-1071
- ^[1]Archived February 5, 2006, at the Wayback Machine
- ^ ab'Histoire de Melody Nelson - Serge Gainsbourg'. Metacritic. Retrieved 6 May 2014.
- ^ abAnkeny, Jason. 'Serge Gainsbourg - Histoire de Melody Nelson'. AllMusic. Retrieved 6 May 2014.
- ^ abcPhipps, Keith (31 March 2009). 'Serge Gainsbourg: Histoire De Melody Nelson'. The A.V. Club. Retrieved 6 May 2014.
- ^ abEdwards, D.M. (14 May 2009). 'Serge Gainsbourg: Histoire De Melody Nelson'. PopMatters. Retrieved 6 May 2014.
- ^Linhardt, Alex (23 June 2004). 'Top 100 Albums of the 1970s'. Pitchfork. Retrieved 6 May 2014.
- ^ abc'Serge the sampled'. The Guardian. Retrieved 7 May 2014.
- ^ abcdBeta, Andy (26 August 2011). 'It took only 40 years to catch on'. Los Angeles Times. Retrieved 7 May 2014.
- ^ abSimmons, Sylvie (2009). Serge Gainsbourg: A Fistful of Gitanes. Da Capo Press. pp. 63–67. ISBN0786747145.
- ^'Placebo - The Ballad of Melody Nelson'. Allmusic. Retrieved 7 May 2014.
- ^'Portishead - Ballade De Melody Nelson (feat. Jane Birkin)'. NME. Retrieved 7 May 2014.
- ^Blandford, James R. (2004). PJ Harvey: Siren Rising. London, UK: Omnibus. ISBN978-0-85712-110-3.
- ^'Serge Gainsbourg tribute album w/ Portishead, Feist, Michael Stipe, Jarvis Cocker, Cat Power, Franz Ferdinand, Tricky'. BrooklynVegan. 17 February 2006. Retrieved 7 May 2014.
- ^Trott, Benjamin (2009-06-23). 'Meet Melody'. MovableType.org. Retrieved 2009-06-24.
- ^'Melody Nelson live in Paris (2008)'. YouTube. 2008-12-18. Retrieved 2012-02-21.
- ^A. Votel/J. Szpirglas, Histoire de Melody Nelson, Edition du 40ème anniversaire
- ^Histoire De Melody Nelson, Serge Gainsbourg, Allmusic.com
- ^'Lescharts.com – Serge Gainsbourg – Histoire de Melody Nelson'. Hung Medien. Retrieved 8 May 2019.
External links[edit]
- Histoire de Melody Nelson at Discogs (list of releases)
- Histoire de Melody Nelson at MusicBrainz (list of releases)
- Melody on IMDb